Critical

SPECIAL EDITION GATEFOLD 

Purchase the ‘I’ll Wait, I Guess' album on 2x12" black vinyl, housed inside a gatefold sleeve, accompanied with bespoke printed inner sleeves. Artwork designed by Patrick McMullin

Pre-Order the album and receive ‘Albany Road’ and ‘Two For Two’ w/ Deft as an instant download (redeemable via your account)

** product images are 3D renderings and may differ from finished product

“Good things come to those who wait”, says Matt Harris aka Hyroglifics about the theme of his debut album, ‘I’ll Wait, I Guess’, a personal journey to hope and healing reflected through 16 tracks of ever-evolving music and the stories that lie within them. “I believe that good things happen with time, however, I also wanted this album to depict the realities of waiting for something and how seemingly hopeless it may seem at times”.

After committing to music full time after getting picked up by RBMA for 2016’s Montreal academy, Hyroglifics has released key tracks and EPs on Critical Music, 20/20 LDN, Hooversound, and System. Written and recorded in Bristol before sessions in London and Los Angeles, where he now lives, ‘I’ll Wait, I Guess’ is his most diverse body of work so far. Though led by the detailed drum and bass he’s best known for, the album also includes tracks leaning towards grime, half-time, hip hop, techno and ambient music.

“I really wanted to create something that shows my range as a producer and artist”, Hyroglifics explains. “My taste is always evolving, so it’s hard to pin down a specific ‘sound,’ as I really enjoy exploring the process of trying to create hybrids of genres.”